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The Paris Review
The Daily
The Latest
Columns
The Quarterly
Issues
Interviews
Fiction
Poetry
Letters & Essays
Art & Photography
Authors
Podcast
About
History
Opportunities
Masthead
Prizes
Submissions
Media Kit
Bookstores
Events
Donate
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The Paris Review
Institutional Support
THE SPRING REVEL
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Art & Photography: 2010s
Tabboo! for The Paris Review
Tabboo!
Portfolio of the Day
Dave Hardy & Elena Passarello
Dave Hardy: New and Recent Sculptures
Chloe Honum & Sayuri Ichida
New and Recent Photographs
Alan Fears & Charlotte Strick
I’m OK, You’re OK
Francesca DiMattio & Major Jackson
Recent Vases
Charlotte Strick & Claire Vaye Watkins
Land Forms
Julian Brimmers
Kathy Acker’s Library
Edie Fake & Renee Gladman
Cities of the Future, Their Color
Etel Adnan & Nicole Rudick
The Shape of the Mountain
Hilton Als
Director’s Cut
Duncan Hannah
Diaries, 1970–73
Hurvin Anderson
Never-Ending Time
Alice Neel
East Harlem Portraits
Adam Bartos
Chris Marker’s Studio
Lincoln Perry
Past Present
Leanne Shapton & Charlotte Strick
Swimming Lessons
Lucy Sante
Carluccio & Co.
Richard Diebenkorn
Sketchbooks
Eileen Myles
Eleven Favorites
Aidan Koch
Heavenly Seas
Mel Bochner
Thesaurus Paintings
Thomas Demand & Ben Lerner
Sample Trees
Marc Yankus
The Secret Life of Buildings
Raymond Pettibon
Real Dogs in Space
Francesca Woodman
Fugitive Photographs
Chuck Close
Nudes
Lydia Davis
Dutch Scenes
Peter Nobel
Press Art
Nicole Rudick
From the Archive of Willa Kim
Rachel Kushner
The Flamethrowers
Jess
Paste-ups
Daniel Handler & Maria Kalman
Sestina
Waris Ahluwalia
Walton Ford and Ryan McGinley
Geoff Dyer
Prabuddha Dasgupta
Charlotte Strick
Women by Women
Terry Castle
Children, Anon., from the personal collection of Terry Castle
Marilyn Minter
Laurel Nakadate and Mika Rottenberg
Pavel Zoubok
Collage
Saul Steinberg
Portraits and Landscapes
David Salle
Amy Sillman and Tom McGrath
Tauba Auerbach & Colter Jacobsen
A portfolio curated by Lauren Cornell
Jeff Antebi
Haiti on Fire
Adrian Clarke
Low Newton
G. M. B. Akash
Nothing To Hold On To